Conference paper | Why the slum is evictable but the subdivision is not: Danger zones, territoriality, and the aesthetic turn of risk

2017 Annual Meeting of the American Association of Geographers (AAG), 5-9 April, Boston, Massachusetts 


Drawing on a discourse analysis of policy documents and key informant interviews, I discuss how the delineation of danger zones in Philippine DRM policy explains why slums have become the object of intervention in flood risk management. I begin by recounting anti-slum discourses of the Ketsana disaster in 2009 to draw out the undesirability of the slum both as a geographic space and a population, and show how narratives of blame and attributions of responsibility have shaped the goals of DRM and informed the delineation of danger zones. I trace the basis of danger zones to a law on eviction and demolition, and consider the expansion of its scope to encompass territories of homelessness and poor informality to point out that the concept itself was framed in terms of the spatial illegality and evictability of the slum-dwelling poor. I then relate this to two key points: that danger zones were neither properly defined nor scientifically determined, and that disaster risk functioned instead as an aesthetic category. Following Ghertner’s (2015) idea of aesthetic rule, I argue that the visual appearance of vulnerability served as the basis for adjudicating danger zones. Finally, I examine how the aesthetic turn of risk proved useful to the territorialization of risk, which facilitated the preferential eviction of slums alongside the systematic exclusion of other environments and populations from the same intervention.

Work cited:

Ghertner, D. Ahser. 2015. Rule by Aesthetics: World-Class City making in Delhi. New York, NY: Oxford University Press.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s